“Music is a moral law. It gives a soul to the universe, wings to the mind, flight to the imagination, a charm to sadness, and life to everything. It is the essence of order, and leads to all that is good, just and beautiful, of which it is the invisible, but nevertheless dazzling, passionate, and eternal form.” -Plato
Idolatry can be defined as the worship of something without meaning, which lends itself to the notion that entertainment is simply a distraction from reality. However, it seems that perhaps music is more than simply empty, meaningless entertainment. Plato looks at the universe and sees a symphony of harmony. He posits that music should penetrate the soul, but must not push it towards vice- “More than anything else, rhythm and harmony find their way into the inmost soul and take strongest hold upon it.” He insists that no music should be accepted or rejected simply because it is pleasing. Indeed, the child of the marriage of ideas and sound is music. The musings of Plato support this by proposing that music is allied to the intricacies of man’s nature as well as the intricacies of the nature of reality and the universe
This is addressed in the “Idols” painting series of studies by incorporating the identities and respective impacts of modern popular musical artists on our culture while playing off traditional theological art as it explores the link between idolatry, meaning, music, and how society has shifted the way in which we have attempted (or not attempted) to find higher meaning in reality. I explore this with the implementation of sacred geometry- emblematic of an intelligible reality and self-evident truth, arguing for faith with clarity of understanding. Strategic placement of gold leaf is representative of a glimpse of divine truth and a nod to traditional symbolic representation of the divine in art, while the aforementioned geometric shapes and symbols attribute specific ideas and meaning to each particular musical artist.